A magazine feature story template for the long-form story that deserves more than a LinkedIn caption. Eight panes built on newsprint cream with ink black type, deep red used sparingly on a single quotation mark, Playfair Display at masthead and headline weight, IBM Plex Mono for the typewriter-feel body copy, and a halftone-treated portrait cutout that pierces the type on the cover only. Reads like a New York Times Magazine print feature lifted into a scroll.
The defining choice is editorial restraint applied to a slideshow format. Most carousel templates compete for attention pane by pane. This one earns attention by withholding it. The cover masthead reads "THE EARLY EDITION" in small Playfair across the top, then a four-line stacked headline ("AFTER / TWENTY / YEARS, / SHE LEFT.") fills the pane, then a byline strip ("BY ELEANOR HAYES · PHOTOGRAPHED BY CASSIA MORENO") sits below the rule. The cutout portrait pierces the type from right-center, halftone-treated, three-quarter angle, contemplative. The whole pane reads as a print page that happens to be in motion.
The drop-cap opener (pane 3) is the technical centerpiece. A massive Playfair "O" at near-pane-height holds the first paragraph in two justified IBM Plex Mono columns. The chapter label ("CHAPTER ONE - THE DEPARTURE") sits above in JetBrains Mono caps. The pull-quote pane (pane 4) gives a single Playfair italic line ("HALVERSON HAS A WAY OF SPEAKING ABOUT HER OLD WORK...") with the opening quotation mark rendered in deep red - the only place color appears in body copy across the entire deck. Pane 6 stacks "BEFORE / [B&W cutout] / AFTER" as the transformation beat. Pane 7 cuts a halftone image strip across "MARCH 2025. / BROOKLYN. / EVERYTHING CHANGED."
Animation is the slowest in the catalog. letter-fade on Playfair headlines at speed scale 0.6. Body text drifts on drift-y with a 200ms succession stagger. Cutouts fade only - never bounce, never pop. Autoplay paces at 5 to 6 seconds per pane, which matches the rhythm of reading a printed feature.
The 3:4 format is built for vertical scroll. Drop the cover image into the LinkedIn carousel slot, let the masthead and four-line headline carry the first impression, and the chapter-by-chapter panes hold a reader through the full story without breaking out of the format. Export as a sequence of PDFs for the LinkedIn document carousel or as still frames for an Instagram swipe-through.
Studios that publish client stories ("how we made the rebrand", "inside the launch") use this template to mark the work as editorial rather than sales collateral. The "[PUBLICATION NAME]" masthead becomes the studio's own publication name. The byline format gives credit to the writer and photographer. Hosting the live HTML on a /journal/[slug] page on the studio site doubles as portfolio and content marketing.
For a founder publishing a personal essay - a pivot, a sabbatical, a method that took a decade to figure out - the template gives the writing the visual weight a tweet thread cannot. Pane 6's BEFORE / [cutout] / AFTER sandwich is the transformation beat the essay arc resolves into. Pane 7's stacked dateline ("MARCH 2025. / BROOKLYN. / EVERYTHING CHANGED.") is the place-and-time moment of inflection. The whole deck reads as a print feature rather than a content post.
Open this template in PaneFlow, customize it to match your brand, and export as HTML, React, Vue, or video.